File:Poster - Gone With the Wind 01.jpg

Films generate income from several revenue streams including theatrical exhibition, home video, television broadcast rights and merchandising. However, theatrical box office earnings are the primary metric for trade publications (such as Box Office Mojo and Variety) in assessing the success of a film, mostly due to the availability of the data compared to sales figures for home video and broadcast rights, and also due to historical practice. Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international theatrical box office performance where possible, excluding income derived from home video, broadcasting rights and merchandise.

Traditionally, war films, musicals and historical dramas have been the most popular genres, but franchise films have been the best performers in the 21st century, with films from the Harry Potter, Middle-Earth, Transformers and Pirates of the Caribbean series dominating the top end of the list. There has also been new interest in the superhero genre; Superman and Batman from DC Comics and films based on the Marvel Comics brand such as Spider-Man, X-Men and films in the Marvel Cinematic Universe have all done particularly well. The only films in the top ten that do not form a franchise are the top two, Avatar and Titanic, both directed by James Cameron, and Disney's Frozen. Animated family films have performed consistently well, with Disney films enjoying lucrative re-releases prior to the home video era. Disney also enjoyed later success with its Pixar brand, of which the Toy Story films and Finding Nemo have been the best performers; beyond Pixar animation, the Shrek, Ice Age, Madagascar and Despicable Me series have met with the most success.

While inflation has eroded away the achievements of most films from the 1960s and 1970s, there are franchises originating from that period that are still active: James Bond and Star Trek films are still being released periodically, and the Star Wars saga was reprised after a lengthy hiatus; Indiana Jones also saw a successful comeback after lying dormant for nearly twenty years. All four are still among the highest-grossing franchises, despite starting over thirty years ago. Some of the older films that held the record of highest-grossing film still have respectable grosses even by today's standards, but do not really compete against today's top-earners: Gone with the Wind for instance—which was the highest-grossing film for twenty-five years—does not even make the top fifty in the modern market, but, adjusted for inflation, it would still be the highest-grossing film. All grosses on the list are expressed in US dollars at their nominal value, except where stated otherwise.

Highest-grossing films Edit


With a worldwide box-office gross of about $2.8 billion, Avatar is often proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take account of home video and television income, which can form a significant portion of a film's earnings. Once revenue from home entertainment is factored in it is not immediately clear which film is the most successful. Titanic earned $1.2 billion from video and DVD sales and rentals,[1] in addition to the $2.2 billion it grossed in theaters. While complete sales data are not available for Avatar, it earned $345 million from the sale of sixteen million DVD and Blu-ray units in North America,[2] and ultimately sold a total of thirty million DVD and Blu-ray units worldwide.[3] After home video income is accounted for, both films have earned over $3 billion. Television broadcast rights will also substantially add to a film's earnings, with a film often earning as much as 20–25% of its theatrical box-office for a couple of television runs on top of pay-per-view revenues;[4] Titanic earned a further $55 million from the NBC and HBO broadcast rights,[1] equating to about 9% of its North American gross.

When a film is highly exploitable as a commercial property, its ancillary revenues from merchandising can dwarf its income from direct film sales.[5] Pixar's Cars earned $461 million in theatrical revenues[6]—which was only a modest hit by comparison to other Pixar films[7]—but generated global merchandise sales of over $8 billion in the five years after its 2006 release,[8][9] the most revenue ever generated by a franchise consisting of a single film.[10]

Only the revenues from theatrical exhibition at their nominal value are included here, which sees Avatar rank in the top position. Nineteen films in total have grossed in excess of $1 billion worldwide. The films on this chart have all had a theatrical run (including re-releases) since 1996, and films that have not played since then do not appear on the chart due to ticket-price inflation, population size and ticket purchasing trends not being considered.

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Highest-grossing films[11]
Rank Title Worldwide gross Year Ref
1 Avatar $2,787,965,087 2009 [# 1]
2 Star Wars: Episode VII $2,398,768,658 2015 [# 2]
3 Titanic $2,186,772,302 1997 [# 3]
4 The Avendures: Age Of Ultron $1,919,436,235 2015 [# 4]
5 Batman Vs. Superman: Dawn Of Justice $1,563,436,029 2016 [# 5]
6 The Avengers $1,518,594,910 2012 [# 6]
7 Harry Potter and the Deathly Hallows – Part 2 $1,341,511,219 2011 [# 7]
8 The Hobbit: The Battle Of Five Armies $1,287,436,234 2014 [# 8]
9 Frozen $1,274,219,009 2013 [# 9]
10 Iron Man 3 $1,215,439,994 2013 [# 10]
11 Transformers: Age of Extinction $1,194,469,346 2014 [# 11]
12 Transformers: Dark of the Moon $1,123,794,079 2011 [# 12]
13 The Lord of the Rings: The Return of the King $1,119,929,521 2003 [# 13]
14 Skyfall $1,108,561,013 2012 [# 14]
15 The Dark Knight Rises $1,084,439,099 2012 [# 15]
16 The Hunger Games: Mocking Jay Part 1 $1,076,483,940 2014 [# 16]
17 Interstellar $1,070,324,369 2014 [# 17]
18 The Hunger Games: Mocking Jay Part 2 $1,069,346,918 2014 [# 18]
19 Pirates of the Caribbean: Dead Man's Chest $1,066,179,725 2006 [# 19]
20 Toy Story 3 $1,063,171,911 2010 [# 20]
21 Pirates of the Caribbean: On Stranger Tides $1,045,713,802 2011 [# 21]
22 Jurassic Park $1,029,153,882 1993 [# 22]
23 Star Wars Episode I: The Phantom Menace $1,027,044,677 1999 [# 23]
24 Alice in Wonderland $1,025,467,110 2010 [# 24]
25 The Hobbit: An Unexpected Journey $1,017,003,568 2012 [# 25]
26 The Dark Knight $1,004,558,444 2008 [# 26]
27 Saving Private Holmes $1,003,346,929 2015 [# 27]
28 Avatar 2 $1,000,545,309 2016 [# 28]
29 The Divergent Series: Allegiant part 1 $998,460,261 2016 [# 29]
30 The Lion King $987,483,777 1994 [# 30]
31 Harry Potter and the Philosopher's Stone $974,755,371 2001 [# 31]
32 Despicable Me 2 $970,761,885 2013 [# 32]
33 Pirates of the Caribbean: At World's End $963,420,425 2007 [# 33]
34 Harry Potter and the Deathly Hallows – Part 1 $960,283,305 2010 [# 34]
35 The Hobbit: The Desolation of Smaug $958,366,855 2013 [# 35]
36 Harry Potter and the Order of the Phoenix $939,885,929 2007 [# 36]
37 Finding Nemo $936,743,261 2003 [# 37]
38 Harry Potter and the Half-Blood Prince $934,416,487 2009 [# 38]
39 The Lord of the Rings: The Two Towers $926,047,111 2002 [# 39]
40 Shrek 2 $919,838,758 2004 [# 40]
41 Captain America and Black Widdow $907,456,291 2014 [# 41]
42 Jurassic World $906,568,123 2015 [# 42]
43 Harry Potter and the Goblet of Fire $896,911,078 2005 [# 43]
44 Mission Impossible: Speed Racing $891,456,354 2015 [# 44]
45 Spider-Man 3 $890,871,626 2007 [# 45]
46 Ice Age: Dawn of the Dinosaurs $886,686,817 2009 [# 46]
47 Harry Potter and the Chamber of Secrets $878,979,634 2002 [# 47]
48 Ice Age: Continental Drift $877,244,782 2012 [# 48]
49 The Lord of the Rings: The Fellowship of the Ring $871,530,324 2001 [# 49]
50 The Hunger Games: Catching Fire $864,565,663 2013 [# 50]

Highest-grossing films adjusted for inflation Edit

File:Inflation rate world.PNG

Due to the long-term effects of inflation, notably the significant increase of movie theater ticket prices, the list unadjusted for inflation gives far more weight to later films.[12] The unadjusted list, while commonly found in the press, is therefore largely meaningless for comparing films widely separated in time, as many films from earlier eras will never appear on a modern unadjusted list, despite achieving higher commercial success when adjusted for price increases.[13] To compensate for the devaluation of the currency, some charts make adjustments for inflation, but not even this practise fully addresses the issue since ticket prices and inflation do not necessarily parallel one another. For example, in 1970 tickets cost $1.55 or about $6.68 in inflation-adjusted 2004 dollars; by 1980, prices had risen to about $2.69, a drop to $5.50 in inflation-adjusted 2004 dollars.[14] Ticket prices have also risen at different rates of inflation around the world, further complicating the process of adjusting worldwide grosses.[12]

Another complication is release in multiple formats for which different ticket prices are charged. One notable example of this phenomenon is Avatar, which was also released in 3D and IMAX: almost two-thirds of tickets for that film were for 3D showings with an average price of $10, and about one-sixth were for IMAX showings with an average price over $14.50, compared to a 2010 average price of $7.61 for 2D films.[15] Social and economic factors such as population change[16] and the growth of international markets[17][18][19] also impact on the number of people purchasing theater tickets, along with audience demographics where some films sell a much higher proportion of discounted children's tickets, or perform better in big cities where tickets cost more.[13]

The measuring system for gauging a film's success is based on unadjusted grosses, mainly because historically this is the way it has always been done due to the practices of the film industry: the box office receipts are compiled by theaters and relayed to the distributor, which in turn releases them to the media.[20] Converting to a more representative system that counts ticket sales rather than gross is also fraught with problems due to the fact that the only data available for older films are the sale totals.[16] As the motion picture industry is highly oriented towards marketing currently released films, unadjusted figures are always used in marketing campaigns so that new blockbuster films can much more easily achieve a high sales ranking, and thus be promoted as a "top film of all time",[14][21] so there is little incentive to switch to a more robust analysis from a marketing or even newsworthy point of view.[20]

Despite the inherent difficulties in accounting for inflation, several attempts have been made. Estimates depend on the price index used to adjust the grosses,[21] and the exchange rates used to convert between currencies can also impact upon the calculations, both of which can have an effect on the ultimate rankings of an inflation adjusted list. Gone with the Wind—first released in 1939—is generally considered to be the most successful film, with Guinness World Records in 2011 estimating its adjusted global gross at $3.3 billion. Estimates for Gone with the WindTemplate:'s adjusted gross have varied substantially: its owner, Turner Entertainment, also estimated its adjusted earnings at $3.3 billion in 2007, a few years earlier than the Guinness estimate;[22] other estimates fall either side of this amount, with one putting its gross just under $3 billion in 2010,[23] while another provided an alternative figure of about $3.8 billion in 2006.[24] Which film is Gone with the WindTemplate:'s nearest rival depends on the set of figures used: Guinness have Avatar in second place with nearly $2.8 billion, while other estimates see Titanic in the runner-up spot with first-run worldwide earnings of almost $2.9 billion at 2010 prices. Including the Guinness figures, estimates for Star Wars (1977) range from $2.2–2.7 billion at 2010/11 price levels, while E.T. the Extra-Terrestrial has earned approximately $1.9–2.2 billion, and the $1.9–2.0 billion figure for Jaws is corroborated by The Economist.[23][25]

Highest-grossing films adjusted for inflation[26]
Rank Title Worldwide gross
1 Gone with the Wind $3,301,400,000 1939
2 Avatar $2,782,300,000 2009
3 Star Wars $2,710,800,000 1977
4 Titanic $2,413,800,000Template:Ref 1997
5 The Sound of Music $2,269,800,000 1965
6 E.T. the Extra-Terrestrial $2,216,800,000 1982
7 The Ten Commandments $2,098,600,000 1956
8 Doctor Zhivago $1,988,600,000 1965
9 Jaws $1,945,100,000 1975
10 Snow White and the Seven Dwarfs $1,746,100,000 1937

Template:Refbegin Template:Note label Template:Refend

High-grossing films by year Edit

Template:Quote box Audience tastes were fairly eclectic during the 20th century, but several trends did emerge. During the silent era, films with war themes were popular with audiences, with The Birth of a Nation (American Civil War), The Four Horsemen of the Apocalypse, The Big Parade and Wings (all World War I) becoming the most successful films in their respective years of release, with the trend coming to an end with All Quiet on the Western Front in 1930. With the advent of sound in 1927, the musical—the genre best placed to showcase the new technology—took over as the most popular type of film with audiences, with 1928 and 1929 both being topped by musical films. The genre continued to perform strongly in the 1930s, but the outbreak of World War II saw war themed films dominate again during this period, starting with Gone with the Wind (American Civil War) in 1939, and finishing with The Best Years of Our Lives (World War II) in 1946. Samson and Delilah (1949) saw the beginning of a trend of increasingly expensive historical dramas set during Ancient Rome/biblical times throughout the 1950s as cinema competed with television for audiences,[27] with Quo Vadis, The Robe, The Ten Commandments, Ben-Hur and Spartacus all becoming the highest-grossing film of the year during initial release, before the genre started to wane after several high-profile failures.[28] The success of White Christmas and South Pacific in the 1950s foreshadowed the comeback of the musical in the 1960s with West Side Story, Mary Poppins, My Fair Lady, The Sound of Music and Funny Girl all among the top films of the decade. The 1970s saw a shift in audience tastes to high concept films, with six such films made by either George Lucas or Steven Spielberg topping the chart during the 1980s. The 21st century has seen an increasing dependence on franchises and adaptations, with Avatar in 2009 being the only chart-topper forming an original work.

File:Steven Spielberg 1999.JPG

Steven Spielberg is the most represented director on the chart with six films to his credit, occupying the top spot in 1975, 1981, 1982, 1984, 1989 and 1993. Cecil B. DeMille (1932, 1947, 1949, 1952 and 1956) and William Wyler (1942, 1946, 1959 and 1968) are in second and third place with five and four films respectively, while D. W. Griffith (1915, 1916 and 1920), George Roy Hill (1966, 1969 and 1973) and James Cameron (1991, 1997 and 2009) all feature heavily with three films apiece. George Lucas directed two chart-toppers in 1977 and 1999, but also served in a strong creative capacity as a producer and writer in 1980, 1981, 1983, 1984 and 1989 as well. The following directors have also all directed two films on the chart: Frank Lloyd, King Vidor, Frank Capra, Michael Curtiz, Leo McCarey, Alfred Hitchcock, David Lean, Stanley Kubrick, Guy Hamilton, Mike Nichols, William Friedkin, Peter Jackson and Gore Verbinski; Mervyn LeRoy, Ken Annakin and Robert Wise are each represented by one solo credit and one shared credit, and John Ford co-directed two films. Disney films are usually co-directed and some directors have served on several winning teams: Wilfred Jackson, Hamilton Luske, Clyde Geronimi, David Hand, Ben Sharpsteen, Wolfgang Reitherman and Bill Roberts have all co-directed at least two films on the list. Only five directors have topped the chart in consecutive years: McCarey (1944 and 1945), Nichols (1966 and 1967), Spielberg (1981 and 1982), Jackson (2002 and 2003) and Verbinski (2006 and 2007).

Due to release schedules—especially in the case of films released towards the end of the year—and different release patterns across the world, many films can do business in two or more calendar years; therefore the grosses documented here are not confined to just the year of release. Grosses are not limited to original theatrical runs either, with many older films often being re-released periodically so the figures represent all the business a film has done since its original release; a film's first-run gross is included in brackets after the total if known. In the cases where estimates conflict both films are recorded, and in cases where a film has moved into first place due to being re-released the previous record-holder is also retained. Due to incomplete data it cannot be known for sure how much money some films have made and when they made it, but generally the chart chronicles the films from each year that went on to earn the most. At least one film every year has generated $100 million in gross revenue at the box office since 1967, and from 2008 each year has succeeded in producing a billion dollar grossing film.

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High-grossing films by year of release[29][30][31]
Year Title Worldwide gross Budget Ref(s)
1915 The Birth of a Nation Template:NtsTemplate:Nts
Template:Nts+Template:Ref (Template:Nts)Template:Ref
Template:Nts [# 51][# 52][# 53]
1916 Intolerance Template:NtsTemplate:RefTemplate:Ref Template:Ref Template:Nts [# 54][# 55]
1917 Cleopatra Template:NtsTemplate:RefTemplate:Ref Template:Nts [# 54]
1918 Mickey Template:Nts Template:Nts [# 56]
1919 The Miracle Man Template:NtsTemplate:Ref Template:Nts [# 57]
1920 Way Down East Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:Nts [# 58][# 59]
1921 The Four Horsemen of the Apocalypse Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:NtsTemplate:Nts [# 60]
1922 Robin Hood Template:NtsTemplate:Ref Template:Nts [# 61][# 62]
1923 The Covered Wagon Template:NtsTemplate:Ref Template:Nts [# 63][# 64]
1924 The Sea Hawk Template:NtsTemplate:Ref Template:Nts [# 63]
1925 The Big Parade Template:NtsTemplate:NtsTemplate:Ref
Template:Nts [# 65][# 66][# 67]
Ben-Hur Template:NtsTemplate:Ref Template:Nts [# 68]
1926 For Heaven's Sake Template:NtsTemplate:Ref Template:Ref Template:Nts [# 58][# 69]
1927 Wings Template:NtsTemplate:Ref Template:Nts [# 58][# 70][# 71]
1928 The Singing Fool Template:NtsTemplate:Ref Template:Nts [# 71][# 72]
1929 The Broadway Melody Template:NtsTemplate:NtsTemplate:Ref Template:Nts [# 73][# 74]
Sunny Side Up Template:NtsTemplate:RefTemplate:Ref Template:Ref Template:Nts [# 75][# 76]
1930 All Quiet on the Western Front Template:NtsTemplate:Ref Template:Nts [# 58][# 77][# 78][# 79]
1931 Frankenstein Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:Nts [# 80][# 81]
City Lights Template:NtsTemplate:Ref Template:Nts [# 82]
1932 The Sign of the Cross Template:NtsTemplate:Ref Template:Nts [# 64][# 83][# 84][# 85]
1933 King Kong Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:Nts [# 86]
I'm No Angel Template:Nts+Template:Ref Template:Nts [# 87][# 88]
Cavalcade Template:NtsTemplate:NtsTemplate:Ref Template:Nts [# 59][# 78]
She Done Him Wrong Template:Nts+Template:Ref Template:Nts [# 89][# 90][# 91]
1934 The Merry Widow Template:NtsTemplate:Ref Template:Nts [# 92][# 84]
It Happened One Night Template:NtsTemplate:Ref Template:Ref Template:Nts [# 93][# 94]
1935 Mutiny on the Bounty Template:NtsTemplate:Ref Template:Nts [# 84]
1936 San Francisco Template:Nts+Template:Ref (Template:Nts)Template:Ref Template:Nts [# 92][# 84]
1937 Snow White and the Seven Dwarfs Template:Nts+Template:Ref (Template:Nts)Template:Ref Template:Nts [# 95][# 96]
1938 You Can't Take It With You Template:NtsTemplate:Ref Template:Nts [# 97][# 98]
1939 Gone with the Wind Template:NtsTemplate:Nts
(Template:Nts)Template:Ref Template:Ref
Template:NtsTemplate:Nts [# 99][# 100][# 101][# 102]
1940 Pinocchio Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:Nts [# 103][# 96][# 104]
Boom Town Template:NtsTemplate:RefTemplate:Ref Template:Nts [# 105][# 106]
1941 Sergeant York Template:NtsTemplate:Ref Template:Nts [# 107][# 108]
1942 Bambi Template:Nts (Template:Nts)Template:Ref Template:NtsTemplate:Nts [# 109][# 110][# 111]
Mrs. Miniver Template:NtsTemplate:Ref Template:Nts [# 112][# 113]
1943 For Whom the Bell Tolls Template:NtsTemplate:Ref Template:Nts [# 114][# 115][# 116]
This Is the Army Template:NtsTemplate:RefTemplate:Ref Template:Nts [# 117][# 118][# 116]
1944 Going My Way Template:NtsTemplate:RefTemplate:Ref Template:Nts [# 119][# 120][# 121]
1945 Mom and Dad Template:NtsTemplate:Ref/Template:NtsTemplate:Ref Template:Nts [# 122]
The Bells of St. Mary's Template:NtsTemplate:Ref Template:Nts [# 123]
1946 Song of the South Template:NtsTemplate:Ref (Template:Nts)Template:Ref Template:Nts [# 124][# 125][# 126]
The Best Years of Our Lives Template:NtsTemplate:Ref Template:Nts [# 127][# 128]
Duel in the Sun Template:NtsTemplate:RefTemplate:Ref Template:Nts [# 119][# 129]
1947 Forever Amber Template:NtsTemplate:Ref Template:Nts [# 75][# 129]
Unconquered Template:NtsTemplate:Ref Template:Ref Template:Nts [# 130][# 131]
1948 Easter Parade Template:NtsTemplate:Ref Template:Nts [# 121][# 132]
The Red Shoes Template:NtsTemplate:RefTemplate:Ref Template:NtshTemplate:Nts (Template:Nts) [# 119][# 133][# 134]
The Snake Pit Template:NtsTemplate:RefTemplate:Ref TBA [# 135]
1949 Samson and Delilah Template:NtsTemplate:Ref Template:Nts [# 136][# 64]
1950 Cinderella Template:NtsTemplate:Ref
Template:Nts [# 137][# 138][# 139]
King Solomon's Mines Template:NtsTemplate:Ref Template:Nts [# 140]
1951 Quo Vadis Template:NtsTemplate:NtsTemplate:Ref Template:Nts [# 136][# 141][# 142]
1952 This Is Cinerama Template:NtsTemplate:Ref Template:Nts [# 143][# 144]
The Greatest Show on Earth Template:NtsTemplate:Ref Template:Ref Template:Nts [# 145][# 146][# 64]
1953 Peter Pan Template:Nts Template:NtsTemplate:Nts [# 147]
The Robe Template:NtsTemplate:NtsTemplate:Ref Template:Nts [# 148][# 149][# 142]
1954 Rear Window Template:NtsTemplate:Ref (Template:Nts)Template:RefTemplate:Ref Template:Nts [# 150][# 141]
White Christmas Template:NtsTemplate:Ref (Template:Nts)Template:RefTemplate:Ref Template:Nts [# 151][# 152][# 153]
20,000 Leagues Under the Sea Template:NtsTemplate:Ref
Template:NtsTemplate:Nts [# 154][# 155][# 119][# 156]
1955 Lady and the Tramp Template:NtsTemplate:Ref (Template:Nts)Template:RefTemplate:Ref Template:Nts [# 157][# 119][# 158]
Cinerama Holiday Template:NtsTemplate:Ref Template:Nts [# 159][# 160]
Mister Roberts Template:NtsTemplate:Ref Template:Nts [# 161]
1956 The Ten Commandments Template:NtsTemplate:Ref
Template:Nts [# 64][# 162][# 163]
1957 The Bridge on the River Kwai Template:NtsTemplate:Ref Template:Nts [# 163]
1958 South Pacific Template:NtsTemplate:Ref Template:Nts [# 164]
1959 Ben-Hur Template:NtsTemplate:Ref
Template:Nts [# 165][# 166]
1960 Swiss Family Robinson Template:NtsTemplate:Ref Template:Nts [# 167]
Spartacus Template:Nts (Template:Nts)Template:Ref Template:Nts [# 168][# 169]
Psycho Template:Nts+ (Template:Nts)Template:Ref Template:Nts [# 170]
1961 One Hundred and One Dalmatians Template:Nts Template:NtsTemplate:Nts [# 171][# 172][# 111]
West Side Story Template:Nts (Template:Nts)Template:Ref Template:Nts [# 173][# 174]
1962 Lawrence of Arabia Template:Nts (Template:Nts) Template:Nts [# 175][# 176]
How the West Was Won Template:NtsTemplate:Ref Template:Nts [# 177]
The Longest Day Template:NtsTemplate:Ref Template:Nts [# 174][# 176]
1963 Cleopatra Template:NtsTemplate:Ref Template:Nts [# 174][# 176]
From Russia with Love Template:Nts/Template:NtsTemplate:Ref
Template:Nts [# 178][# 179][# 180]
1964 My Fair Lady Template:NtsTemplate:Ref Template:Nts [# 181]
Goldfinger Template:Nts (Template:Nts)Template:Ref Template:Nts [# 178][# 180]
Mary Poppins Template:NtsTemplate:NtsTemplate:Ref Template:Nts [# 182][# 181]
1965 The Sound of Music Template:Nts (Template:Nts)Template:Ref Template:Nts [# 183][# 174]
1966 The Bible: In the Beginning Template:NtsTemplate:Ref Template:Nts [# 169]
Hawaii Template:NtsTemplate:Ref (Template:Nts)Template:RefTemplate:Ref Template:Nts [# 184][# 119]
Who's Afraid of Virginia Woolf? Template:NtsTemplate:Ref (Template:Nts)Template:RefTemplate:Ref Template:Nts [# 185][# 119][# 186]
1967 The Jungle Book Template:NtsTemplate:Nts Template:NtsTemplate:Nts [# 187][# 188][# 111]
The Graduate Template:NtsTemplate:Ref Template:Nts [# 189][# 190]
1968 2001: A Space Odyssey Template:NtsTemplate:Nts
Template:Nts [# 191][# 192][# 174]
Funny Girl Template:NtsTemplate:Nts Template:Nts [# 193][# 194]
1969 Butch Cassidy and the Sundance Kid Template:Nts (Template:Nts)Template:Ref Template:Nts [# 195][# 174][# 190]
1970 Love Story Template:NtsTemplate:Ref Template:Nts [# 196][# 197]
Airport Template:NtsTemplate:Ref Template:Nts [# 198][# 199]
1971 The French Connection Template:NtsTemplate:Ref Template:Nts [# 75]
Fiddler on the Roof Template:NtsTemplate:Ref
Template:Nts [# 200][# 201]
Diamonds Are Forever Template:Nts (Template:Nts)Template:Ref Template:Nts [# 178][# 179]
1972 The Godfather Template:NtsTemplate:Nts
Template:Nts [# 202][# 201][# 203][# 204]
1973 The Exorcist Template:Nts (Template:Nts)Template:Ref Template:Nts [# 205][# 206]
The Sting Template:NtsTemplate:Ref Template:Nts [# 207][# 208]
1974 The Towering Inferno Template:NtsTemplate:Ref Template:Nts [# 209]
Blazing Saddles Template:Nts+Template:Ref Template:Nts [# 210][# 211]
1975 Jaws Template:Nts (Template:Nts)Template:Ref Template:Nts [# 212][# 213][# 214]
1976 Rocky Template:Nts (Template:Nts)Template:Ref Template:Nts [# 215][# 201][# 216]
1977 Star Wars Template:Nts
Template:Nts [# 16][# 217][# 201][# 218]
1978 Grease Template:Nts (Template:Nts) Template:Nts [# 219][# 220][# 189]
1979 Moonraker Template:Nts Template:Nts [# 178][# 221]
Rocky II Template:Nts Template:Nts [# 222][# 223][# 221]
1980 The Empire Strikes Back Template:Nts (Template:Nts)Template:Ref Template:NtsTemplate:Nts [# 224][# 225]
1981 Raiders of the Lost Ark Template:Nts
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1982 E.T. the Extra-Terrestrial Template:Nts
Template:NtsTemplate:Nts [# 227][# 217][# 228][# 229]
1983 Return of the Jedi Template:Nts (Template:Nts)Template:Ref Template:NtsTemplate:Nts [# 230][# 225]
1984 Indiana Jones and the Temple of Doom Template:Nts Template:NtsTemplate:Nts [# 231][# 232][# 233]
1985 Back to the Future Template:† Template:Nts (Template:Nts) Template:NtsTemplate:Nts [# 234][# 235]
1986 Top Gun Template:Nts (Template:Nts) Template:NtsTemplate:Nts [# 236][# 237][# 232]
1987 Fatal Attraction Template:Nts Template:Nts [# 238][# 232]
1988 Rain Man Template:Nts Template:Nts [# 239][# 240]
1989 Indiana Jones and the Last Crusade Template:NtsTemplate:Nts Template:NtsTemplate:Nts [# 241][# 232][# 242]
1990 Ghost Template:Nts Template:Nts [# 243][# 232]
1991 Terminator 2: Judgment Day Template:Nts Template:Nts [# 244][# 245]
1992 Aladdin Template:Nts Template:Nts [# 246][# 111]
1993 Jurassic Park Template:Nts (Template:Nts) Template:NtsTemplate:Nts [# 22]
1994 The Lion King Template:Nts (Template:Nts) Template:NtsTemplate:Nts [# 30]
1995 Die Hard with a Vengeance Template:Nts Template:Nts [# 247][# 248]
1996 Independence Day Template:Nts Template:Nts [# 249]
1997 Titanic Template:Nts (Template:Nts) Template:Nts [# 3]
1998 Armageddon Template:Nts Template:Nts [# 250][# 251]
1999 Star Wars Episode I: The Phantom Menace Template:Nts (Template:Nts) Template:NtsTemplate:Nts [# 23][# 225]
2000 Mission: Impossible II Template:Nts Template:NtsTemplate:Nts [# 252][# 232]
2001 Harry Potter and the Philosopher's Stone Template:Nts Template:Nts [# 31]
2002 The Lord of the Rings: The Two Towers Template:Nts (Template:Nts) Template:Nts [# 39]
2003 The Lord of the Rings: The Return of the King Template:Nts (Template:Nts) Template:Nts [# 13]
2004 Shrek 2 Template:Nts Template:Nts [# 40]
2005 Harry Potter and the Goblet of Fire Template:Nts Template:Nts [# 43]
2006 Pirates of the Caribbean: Dead Man's Chest Template:Nts Template:Nts [# 19]
2007 Pirates of the Caribbean: At World's End Template:Nts Template:Nts [# 33]
2008 The Dark Knight Template:Nts (Template:Nts) Template:Nts [# 26]
2009 Avatar Template:Nts (Template:Nts) Template:Nts [# 1][# 253]
2010 Toy Story 3 Template:Nts Template:Nts [# 20]
2011 Harry Potter and the Deathly Hallows – Part 2 Template:Nts Template:NtsTemplate:Ref [# 7][# 254]
2012 The Avengers Template:Nts Template:Nts [# 6]
2013 Frozen Template:† Template:Nts Template:Nts [# 9]
2014 Transformers: Age of Extinction Template:† Template:Nts Template:Nts [# 11]

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Timeline of highest-grossing films Edit

File:Birth of a Nation theatrical poster.jpg

At least ten films have held the record of 'highest-grossing film' since The Birth of a Nation assumed the top spot in 1915. Both The Birth of a Nation and Gone with the Wind spent twenty-five consecutive years apiece as the highest-grosser, with films directed by Steven Spielberg holding the record on three occasions and James Cameron—the current holder—twice. Spielberg became the first director to break his own record when Jurassic Park overtook E.T., and Cameron emulated the feat when Avatar broke the record set by Titanic.

Some sources claim that The Big Parade superseded The Birth of a Nation as highest-grossing film, eventually being replaced by Snow White and the Seven Dwarfs, which in turn was quickly usurped by Gone with the Wind.[32] Exact figures are not known for The Birth of a Nation, but contemporary records put its worldwide earnings at $5.2 million as of 1919.[33] Its international release was delayed by World War I, and it was not released in many foreign territories until the 1920s; coupled with further re-releases in the United States, its $10 million earnings as reported by Variety in 1932 are consistent with the earlier figure.[34] At this time, Variety still had The Birth of a Nation ahead of The Big Parade ($6,400,000) on distributor rentals and—if its estimate is correct—Snow White and the Seven Dwarfs ($8,500,000)[35] would not have earned enough on its first theatrical run to take the record;[36] although it would have been the highest-grossing 'talkie',[37] displacing The Singing Fool ($5,900,000).[38] Although received wisdom holds that it is unlikely The Birth of a Nation was ever overtaken by a silent-era film,[39] the record would fall to 1925's Ben-Hur ($9,386,000) if The Birth of a Nation earned significantly less than its estimated gross.[40] In addition to its gross rental earnings through public exhibition, The Birth of a Nation played at a large number of private, club and organizational engagements which figures are unavailable for.[41] It was hugely popular with the Ku Klux Klan who used it to drive recruitment,[42] and at one point Variety estimated its total earnings to stand at around $50 million.[43] Despite later retracting the claim, the sum has been widely reported even though it has never been substantiated.[33] While it is generally accepted that Gone with the Wind took over the record of highest-grossing film on its initial release—which is true in terms of public exhibition—it is likely it did not overtake The Birth of a Nation in total revenue until a much later date, with it still being reported as the highest earner up until the 1960s.[41] Gone with the Wind itself may have been briefly overtaken by The Ten Commandments (1956), which closed at the end of 1960 with worldwide rentals of $58–60 million[44][45] compared to Gone with the Wind's $59 million;[46] if it did claim the top spot its tenure there was short-lived, since Gone with the Wind was re-released the following year and increased its earnings to $67 million. Depending on how accurate the estimates are, the 1959 remake of Ben-Hur may also have captured the record from Gone with the Wind: as of the end of 1961 it had earned $47 million worldwide,[47] and by 1963 it was trailing Gone with the Wind by just $2 million with international takings of $65 million,[48] ultimately earning $66 million from its initial release.[49]

File:Deep Throat poster 2.jpg

Another film purported to have been the highest-grosser is the 1972 pornographic film, Deep Throat. In 1984, Linda Lovelace testified to a United States Senate Judiciary Subcommittee on juvenile justice that the film had earned $600 million;[50] this figure has been the subject of much speculation, since if it is accurate then the film would have made more money than Star Wars, and finished the 1970s as the highest-grossing film. The main argument against this figure is that it simply did not have a wide enough release to sustain the sort of sums that would be required for it to ultimately gross this amount.[51] Exact figures are not known, but testimony in a federal trial in 1976—about four years into the film's release—showed the film had grossed over $25 million.[52] Roger Ebert has reasoned it possibly did earn as much as $600 million on paper, since mobsters owned most of the adult movie theaters during this period and would launder income from drugs and prostitution through them, so probably inflated the box office receipts for the film.[53]

The Birth of a Nation, Gone with the Wind, The Godfather, Jaws, Star Wars, E.T. and Avatar all increased their record grosses with re-releases. The grosses from their original theatrical runs are included here along with totals from re-releases up to the point that they lost the record; therefore the total for The Birth of a Nation includes income from its reissues up to 1940; the total for Star Wars includes revenue from the late 1970s and early 1980s reissues but not from the 1997 Special Edition; the total for E.T. incorporates its gross from the 1985 reissue but not from 2002; the total for Avatar—as the current record-holder—includes all its earnings at the present time. Gone with the Wind is represented twice on the chart: the 1940 entry includes earnings from its staggered 1939–1942 release (roadshows/first-run engagements/general release)[54] along with all of its revenue up to the 1961 reissue prior to losing the record to The Sound of Music in 1966; its 1971 entry—after it took back the record—includes income from the 1967 and 1971 reissues but omitting later releases. The Godfather was re-released in 1973 after its success at the 45th Academy Awards, and Jaws was released again in 1976, and their grosses here most likely include earnings from those releases. The Sound of Music, The Godfather, Jaws, Jurassic Park and Titanic increased their earnings with further releases in 1973, 1997, 1979, 2013 and 2012 respectively, but they are not included in the totals here since they had already conceded the record prior to being re-released.

Timeline of the highest-grossing film record
Established Title Record setting gross Ref
1915[32] The Birth of a Nation $5,200,000Template:Ref [# 52]
1940 $15,000,000Template:Ref Template:Ref [# 255]
1940[22] Gone with the Wind $32,000,000Template:Ref [# 256]
1963 $67,000,000Template:Ref Template:Ref [# 257]
1966[32] The Sound of Music $114,600,000Template:Ref [# 174]
1971[32] Gone with the Wind $116,000,000Template:Ref Template:Ref [# 258]
1972[32] The Godfather $127,600,000–142,000,000Template:Ref [# 201][# 259]
1976[55][56] Jaws $193,700,000Template:Ref [# 213]
1978[57][58] Star Wars $410,000,000/$268,500,000Template:Ref [# 260][# 201]
1982 $530,000,000 Template:Ref [# 217]
1983[59] E.T. the Extra-Terrestrial $619,000,000–664,000,000 [# 217][# 228]
1993 $701,000,000 Template:Ref [# 261]
1993[32] Jurassic Park $914,691,118 [# 22]
1998[60] Titanic $1,843,201,268 [# 3]
2010[61][62] Avatar $2,749,064,328 [# 1]
$2,787,965,087 Template:Ref

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Highest-grossing franchises and film seriesEdit

File:Dr No trailer.jpg

Prior to 2000, only seven film series had grossed over $1 billion at the box office: James Bond,[63] Star Wars,[64] Indiana Jones,[65] Rocky,[66][67][68] Batman,[69] Jurassic Park[70] and Star Trek.[71] Since the turn of the century that number has increased to over forty, excluding one-off hits such as Avatar, Titanic, Frozen and Alice in Wonderland.[72] This is partly due to inflation and market growth, but also to Hollywood's adoption of the franchise model: films that have built-in brand recognition, such as being based on a well known literary source (The Lord of the Rings) or an established character (Indiana Jones). The methodology is based on the concept that films associated with things audiences are already familiar with can be more effectively marketed to them, and as such are known as "pre-sold" films within the industry.[25]

The Harry Potter series has grossed the most, amassing nearly $8 billion over eight films at the box office, although the Eon James Bond series is the highest grossing when adjusted for inflation, with a total of over $13 billion at 2011/12 prices.Template:Refn Harry Potter has also generated at least $3.5 billion in home video revenue,[73] taking total consumer spending on the films to over $11 billion. If ancillary income from merchandising is included, then Star Wars is the most lucrative franchise, earning more than $22 billion in total, with direct income from the films themselves accounting for just one third of overall revenues.[10][74] In nominal terms, Harry Potter is also the most consistent franchise, averaging at around $965 million with each film earning in excess of $790 million, while the most consistent series is Peter Jackson's Middle-earth adaptation, with the first five films averaging about $980 million and each film earning over $870 million; adjusted for inflation they have performed similarly to Star Wars, averaging over $1 billion per film.[25]

Template loop detected: Template:Legend
Highest-grossing franchises and film series
Rank Series Total worldwide
box office
No. of films Average of films Highest-grossing film

{{Highest-grossing films franchise|type=franchise|rank=1|title=Laxoon Cinematic World |total=5272137701|number=7|highest=Curse of Cord|gross=952973906

type=series|sub=y|title=Chapter One|number=6|highest=The Avengers|gross=1518594910
Rank Series Total worldwide
box office
No. of films Average of films Highest-grossing film

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References Edit


Box-office sources


Template:Note labelFranchise and series sources





External links Edit


Template:List of Box office number-one films

Template:Featured list

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